【摘要】：后現(xiàn)代主義的發(fā)展推動(dòng)了文學(xué)經(jīng)典的大眾化改編,消解經(jīng)典、改編經(jīng)典成為大眾文化掌握話語權(quán)威的外在表現(xiàn)與途徑,大眾文化的強(qiáng)盛同時(shí)將精英文化排擠到邊緣。賀歲片《西游記之孫悟空三打白骨精》對(duì)文學(xué)經(jīng)典《西游記》的改編是極具創(chuàng)新意識(shí)的,本片摒棄了過去影視作品泛化改編的路線,在對(duì)"孫悟空三打白骨精"故事的解構(gòu)與重構(gòu)過程中,挖掘出唐僧師徒與白骨精等人物的人性深度,也深化了文學(xué)經(jīng)典《西游記》傳統(tǒng)意義上的主題思想。
[Abstract]:The development of postmodernism has promoted the popular adaptation of literary classics, dispelled the classics, and the adaptation of classics has become the external expression and approach for the popular culture to master the authority of discourse, and the prosperity of the popular culture has pushed the elite culture to the edge. The adaptation of the literary classic "Journey to the West" by Sun Wukong's three dozen white bones in the New year film "Journey to the West" is highly innovative, and the film abandons the route of extensive adaptation of past film and television works. In the process of deconstructing and reconstructing the story of Sun Wukong's three dozen White Bone essence, the author excavates the depth of human nature of Tang Monk, Master and disciple and Bai Gujing, and also deepens the traditional theme thought in the classical literary classic Journey to the West.
【作者單位】： 河北政法職業(yè)學(xué)院;
【分類號(hào)】：J905

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