【摘要】：動(dòng)漫作品作為動(dòng)漫產(chǎn)業(yè)的基礎(chǔ)環(huán)節(jié)，肩負(fù)著開(kāi)發(fā)動(dòng)漫形象，維持產(chǎn)業(yè)自身可持續(xù)發(fā)展的關(guān)鍵作用。本文圍繞動(dòng)漫創(chuàng)作，結(jié)合大眾審美心理學(xué)、美學(xué)、產(chǎn)業(yè)學(xué)、文藝學(xué)、社會(huì)學(xué)、符號(hào)學(xué)等理論，通過(guò)文獻(xiàn)法、比較方法、歸納法、演繹推理法等研宄方法對(duì)衍生意識(shí)下的動(dòng)漫創(chuàng)作進(jìn)行比較系統(tǒng)、深入的研究。在分析論述20世紀(jì)以來(lái)娛樂(lè)方式演變的基礎(chǔ)上，展開(kāi)對(duì)衍生意識(shí)的作用及其重要性的論述。通過(guò)對(duì)國(guó)產(chǎn)動(dòng)畫(huà)電影《喜羊羊與灰太狼》系列作品的分析，歸納出衍生意識(shí)下動(dòng)漫創(chuàng)作的三大精神理念，并以《里約大冒險(xiǎn)》與《功夫熊貓》等成功的集票房與衍生產(chǎn)品雙贏的典型動(dòng)畫(huà)電影作品為例，分析論證了貫徹衍生意識(shí)下動(dòng)漫創(chuàng)作精yL理念進(jìn)行動(dòng)漫創(chuàng)作的策略。以期豐富動(dòng)漫作品的創(chuàng)作思路，為參與市場(chǎng)競(jìng)爭(zhēng)的動(dòng)漫創(chuàng)作提供一定的參考與啟迪。文章結(jié)構(gòu)具體如下： 第一、二章，著重闡述本論文研究的對(duì)象與意義，概括了動(dòng)漫在過(guò)往的發(fā)展歷程，通過(guò)分析娛樂(lè)方式的變徖，肯定了動(dòng)漫衍生產(chǎn)品今后之于動(dòng)漫產(chǎn)業(yè)的作用，從而提出了動(dòng)漫衍生意識(shí)的概念，并對(duì)其作用進(jìn)行了分析。 第三章，通過(guò)對(duì)成功的國(guó)產(chǎn)動(dòng)畫(huà)電影《喜羊羊與灰太狼》系列作品的分析，歸納出衍生意識(shí)下的動(dòng)漫作品的三大精神理念一一娛樂(lè)精神理念、人性化與個(gè)性化精yL理念、時(shí)尚精神理念，并結(jié)合大眾的審美心理、消費(fèi)心理等知識(shí)對(duì)這三大精神理念進(jìn)行系統(tǒng)分 第四章，以國(guó)外《里約大冒險(xiǎn)》與《功夫熊貓》等成功的集票房與衍生產(chǎn)品雙贏的典型動(dòng)畫(huà)電影作品為例，通過(guò)實(shí)例論證在動(dòng)漫創(chuàng)作中貫徹衍生意識(shí)下三大動(dòng)漫創(chuàng)作精神理念的策略。 第五章為結(jié)語(yǔ)部分，概括了本文研宄的結(jié)論及創(chuàng)新之處，，并為筆者今后的研究定下方向。
[Abstract]:As the basic link of the animation industry, animation works shoulder the key role of developing animation image and maintaining the sustainable development of the industry itself. This article revolves around the animation creation, unifies the popular esthetic psychology, the esthetics, the industry science, the literature and art, the sociology, the semiotics and so on theory, through the literature method, the comparison method, the induction, Deductive reasoning method and other research methods on the derivative consciousness of animation creation system, in-depth research. On the basis of analyzing the evolution of entertainment mode since the 20th century, this paper discusses the function and importance of derivative consciousness. Through the analysis of the series works of "Happy Sheep and Grey Wolf", the three spiritual ideas of anime creation under the derivative consciousness are summed up. Taking the successful cartoon films such as Rio Adventure and Kung Fu Panda as examples, this paper analyzes and demonstrates the strategies of anime creation based on the concept of yL of animation creation under derivative consciousness. In order to enrich the creative ideas of animation works, to participate in the market competition of animation creation to provide a certain reference and inspiration. The structure of the article is as follows: the first and second chapters, focusing on the research object and significance of this paper, summarized the development of animation in the past, through the analysis of entertainment mode of change, This paper affirms the function of animation derivative products in animation industry in the future, and puts forward the concept of animation derivative consciousness and analyzes its function. The third chapter, through the successful domestic animation film "Happy Sheep and Grey Wolf" series of works analysis, summed up the derivative consciousness of animation works under the three major spiritual ideas-entertainment spirit, humanization and personalized fine yL concept, The three spiritual concepts are systematically divided into the fourth chapter, which combines the aesthetic psychology and consumption psychology of the masses. Taking the successful foreign films such as Rio Adventure and Kung Fu Panda as examples, this paper demonstrates the strategies of implementing the spirit of animation creation under the concept of derivative consciousness in animation creation. The fifth chapter is the conclusion part, summarizes the conclusion and innovation of this study, and sets the direction for the author to study in the future.
【學(xué)位授予單位】：廣州大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類(lèi)號(hào)】：J954

【參考文獻(xiàn)】

相關(guān)重要報(bào)紙文章 前1條

1 本報(bào)記者 董云平;[N];黑龍江日?qǐng)?bào);2011年

本文編號(hào)：2391086