【摘要】： 隨著計算機(jī)信息化的發(fā)展,動畫制作和信息傳播媒介都在不斷的發(fā)展中,改革開放使大量國外動畫涌進(jìn)中國市場。目前中國動畫正處于飛速發(fā)展的階段,國家大力扶持動漫產(chǎn)業(yè)�；仡欀袊鴦赢嫷臍v史,發(fā)現(xiàn)我們對動畫片的制作技巧和美術(shù)風(fēng)格都有著很深入的研究,但是對動畫理論的研究相對匱乏。經(jīng)過多年的動畫學(xué)習(xí),發(fā)現(xiàn)定格動畫、逐格動畫、擺拍動畫、偶動畫、黏土動畫等詞語一直充斥在我的創(chuàng)作中,但是能把這些概念介紹清楚的書籍和文章非常少。并且不止一次的發(fā)現(xiàn)。很多動畫專業(yè)的學(xué)生面對這些理論也是一臉的茫然。理論是實踐的基石,為了今后的創(chuàng)作和發(fā)展。我希望通過對這一課題的研究,理清這些概念。 中國的定格動畫已有著幾十年的歷史,并且融入中國傳統(tǒng)美學(xué),如：剪紙、皮影、木偶…等等。在隨著日韓歐美動畫傳入并隨處可見的今天,作為中國動畫的新生力量,我們有義務(wù)對中國定格動畫進(jìn)行研究和總結(jié),找尋中國定格動畫每個階段的發(fā)展脈絡(luò)。
[Abstract]:With the development of computer information, animation production and information media are constantly developing. The reform and opening up makes a large number of foreign animation into the Chinese market. At present, Chinese animation is in the rapid development stage, the state vigorously support the animation industry. Looking back on the history of Chinese animation, we find that we have a very deep research on animation production skills and art style, but the study of animation theory is relatively scarce. After years of animation learning, I found that fixed animation, case animation, pendulum animation, occasional animation, clay animation and other words have been flooded in my creation, but there are very few books and articles that can introduce these concepts clearly. And more than once. Many animation majors face these theories with a blank face. Theory is the cornerstone of practice for the future creation and development. I hope to clarify these concepts by studying this subject. Chinese fixed animation has decades of history, and blend into Chinese traditional aesthetics, such as: paper-cut, shadow, puppet 鈥，

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