【摘要】：清末民初，隨著社會(huì)的轉(zhuǎn)型，詩(shī)歌雖然沒(méi)有了唐朝以來(lái)的繁盛之景，但在數(shù)量上超過(guò)了以往任何時(shí)期。江西自古以來(lái)就是“人杰地靈”之地，這個(gè)時(shí)期江西文壇上也仍出現(xiàn)了不少的詩(shī)人代表，魏元曠就是其中之一。 魏元曠（1857—1936），號(hào)潛園，著有《潛園詩(shī)集》，其中存詩(shī)400余首。內(nèi)容富瞻，情感豐富。因處于社會(huì)急劇轉(zhuǎn)型之際，思想較為保守，以遺老自居，因而其生平經(jīng)歷及其作品一直未受世人矚目，學(xué)術(shù)界對(duì)其研究也只是一鱗半爪。作為江西詩(shī)壇的重要作家，魏元曠的《潛園詩(shī)集》還未得到應(yīng)有的重視，因而本文欲從魏元曠的生平經(jīng)歷著手，通過(guò)對(duì)其詩(shī)歌的研究，以更深刻了解這位被時(shí)代所遺忘的詩(shī)人。 本文主要分為四個(gè)章節(jié)。第一章主要是概述，以清末民初的詩(shī)壇情況作為切入點(diǎn)，，介紹這一時(shí)期江西詩(shī)壇代表魏元曠的生平經(jīng)歷及其交游情況，并對(duì)魏元曠的《潛園詩(shī)集》版本及其它作品、作品研究情況進(jìn)行論述；第二章主要介紹其《潛園詩(shī)集》的內(nèi)容及其思想，主要是采用分類(lèi)研究的方法，將其內(nèi)容分為感事詠懷、詠史憑吊、山水田園、詠物寓意、交游贈(zèng)答、哀逝緬懷六個(gè)部分進(jìn)行論述；第三章主要是介紹《潛園詩(shī)集》詩(shī)作的藝術(shù)風(fēng)貌，對(duì)其詩(shī)作風(fēng)格淵源和不同體式藝術(shù)特征進(jìn)行論述；第四章主要論述了魏元曠詩(shī)歌的價(jià)值及影響。筆者欲通過(guò)此文引起學(xué)術(shù)界對(duì)魏元曠其人其作的重視，以加深其在江西文壇所具有的影響力，確立其在江西地方文化中的地位。
[Abstract]:At the end of Qing Dynasty and early Republic of China, with the transformation of society, poetry did not have the prosperous scene since Tang Dynasty, but it exceeded any previous period in quantity. Since ancient times, Jiangxi has been the land of people and spirits, and there are still many representatives of poets in Jiangxi literary circles during this period, Wei Yuanguang is one of them. Wei Yuanguang (1857, 1936), No. Qianyuan, with more than 400 poems. The content is rich, the emotion is rich. At the time of rapid social transformation, his thoughts are conservative, so his life experience and his works have not been paid attention to all over the world, and the academic research on it is only a half-claw. As an important writer in Jiangxi poetry circle, Wei Yuanguang's "Qianyuan Poetry Collection" has not been given due attention. Therefore, this paper intends to start with Wei Yuanguang's life experience, through the study of his poetry, in order to get a deeper understanding of the poet who has been forgotten by the times. This paper is divided into four chapters. The first chapter is an overview, taking the situation of poetry in the late Qing Dynasty and the early Republic of China as the starting point, introduces the life experience of Wei Yuanguang, the representative of Jiangxi poetic circles during this period and their acquaintance, and gives an introduction to Wei Yuanguang's version of "Qianyuan Poetry Collection" and other works. The research situation of the works is discussed; The second chapter mainly introduces the content and thought of his "Collection of Poetry of buried Garden", mainly uses the method of classification research, divides its content into sentimental anthem, chanting the history by virtue of hanging, landscape pastoral, chanting the meaning of things, exchanging and giving an answer. Mournful memory of the six parts of the discussion; The third chapter mainly introduces the artistic style and features of his poems, and discusses the origin of his poetry style and different artistic features. The fourth chapter mainly discusses the value and influence of Wei Yuanguang's poems. In order to deepen his influence in Jiangxi literary circles and establish his position in Jiangxi's local culture, the author wants to arouse the attention of the academic circles to Wei Yuanguang's works and his works through this article in order to deepen his influence in Jiangxi's literary world and establish his position in Jiangxi's local culture.
【學(xué)位授予單位】：華東交通大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類(lèi)號(hào)】：I207.22

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本文編號(hào)：2466074