本文選題：門(mén)文化 + 門(mén)扉裝飾�。� 參考：《蘇州大學(xué)》2008年碩士論文

【摘要】： 中國(guó)傳統(tǒng)建筑是燦爛的中華民族文化藝術(shù)中極具獨(dú)特魅力的部分,值得我們?nèi)パ芯亢秃霌P(yáng)。在中國(guó)傳統(tǒng)建筑中,門(mén)不僅具有重要的實(shí)用性,同時(shí)也是地位、財(cái)富、文化品格的一種象征。在宋代之前,門(mén)扉的裝飾有比較嚴(yán)格的限制;宋代之后,隨著市民階層的產(chǎn)生和不斷壯大,特別是到了明清時(shí)期,門(mén)的功能和樣式越來(lái)越豐富,門(mén)扉的裝飾手段也越來(lái)越多元化。 中國(guó)傳統(tǒng)門(mén)扉的裝飾大多是對(duì)門(mén)結(jié)構(gòu)構(gòu)件的藝術(shù)加工,例如門(mén)扉上的門(mén)枕石、門(mén)環(huán)、門(mén)釘、看葉、門(mén)簪、門(mén)框等,當(dāng)然也有一些附加裝飾如大門(mén)上的門(mén)聯(lián)、門(mén)神等。結(jié)合相關(guān)資料的查閱和實(shí)地調(diào)研,本論文對(duì)中國(guó)不同歷史時(shí)期、不同地區(qū)、不同種類(lèi)建筑的門(mén)扉裝飾藝術(shù)的特點(diǎn)進(jìn)行了比較、歸納和總結(jié),著重探討它們的表現(xiàn)方式、題材內(nèi)容,從而解讀它們的裝飾內(nèi)涵。 門(mén)扉裝飾不是可有可無(wú)的附加物,它們反映了人們的思想文化意識(shí)。本文的研究,旨在通過(guò)探索中國(guó)傳統(tǒng)門(mén)扉裝飾風(fēng)格形成的機(jī)制以及風(fēng)格所蘊(yùn)涵的意義,拉近大眾與自己的文化遺產(chǎn)之間的距離。
[Abstract]:Chinese traditional architecture is a very attractive part of the splendid Chinese culture and art, which is worthy of our study and promotion. In Chinese traditional architecture, door is not only important practical, but also a symbol of status, wealth and cultural character. Before the Song Dynasty, the door decoration was strictly restricted. After the Song Dynasty, the function and style of the door became more and more abundant with the emergence and growing of the citizen class, especially in the Ming and Qing dynasties. The decoration of the door is also more and more diversified. The traditional Chinese decoration of the door is mostly the artistic processing of the structural components of the door, such as the door pillow stone, the door ring, the door nail, the leaf looking, the door hairpin, the door frame, etc. Of course, there are some additional decorations such as door couplets, door gods and so on. This paper compares the characteristics of door decoration art in different historical periods, different regions and different types of buildings in China, summarizes and summarizes the characteristics of the art of door decoration in different historical periods and regions, with emphasis on their expressive ways, in combination with the reference of relevant materials and field investigation. The door decoration is not a dispensable addition, it reflects people's ideological and cultural consciousness. The purpose of this paper is to explore the mechanism of the formation of Chinese traditional door decoration style and the significance of the style, so as to narrow the distance between the masses and their own cultural heritage.
【學(xué)位授予單位】：蘇州大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2008
【分類(lèi)號(hào)】：J522

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 尹婧;中國(guó)傳統(tǒng)門(mén)的形態(tài)及其裝飾藝術(shù)研究[D];北京林業(yè)大學(xué);2011年

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本文編號(hào)：2004470