本文選題：屏風 + 髹漆工藝��； 參考：《南京藝術學院》2010年碩士論文

【摘要】： 屏風,中國古代常用家具的重要組成部分。漆屏以屏風為實物載體,以木作工藝和髹漆工藝(胎骨封固及表面漆繪)作為表現手段,衍生出精美的漆作屏風,成為眾多屏風類型中頗具特色的典型品種。本文以各歷史時期具有代表性的漆作屏風為具體案例,首先闡述作為常用家具的中國古代漆作屏風其使用功能是如何隨著古代建筑、室內外活動場所、人們生活方式的變化而發(fā)生的不斷改良、改進、改變;其次剖析漆作屏風的關鍵技術如:木作胎骨工藝、髹漆工藝;再次分析漆作屏風表面髹飾紋樣如:圖案骨式等演變路徑入手,研究其附麗技術和藝術價值;最后歸納、總結這些漆作屏風,簡要引伸出這種古老的傳統(tǒng)工藝形式在現代和未來設計范圍中傳承文化和啟迪設計的存留價值。
[Abstract]:Screen is an important part of furniture commonly used in ancient China. The paint screen takes the screen as the physical carrier and the woodwork process and the lacquer painting process (tire bone sealing and surface painting) as the expression means, and derives the exquisite paint as the screen, becoming a typical variety of many screen types. This paper takes the typical lacquer screen for each historical period as a concrete case, first of all, it expounds how the function of the Chinese ancient lacquer screen as a common furniture is used with the ancient architecture, indoor and outdoor activities. People's way of life changes and the continuous improvement, change. Secondly, the key techniques of paint screen such as: wooden fetal bone technology, painting process; After analyzing the evolution path of lacquer as screen surface, such as pattern and bone, the paper studies its technique and artistic value. Finally, it sums up these lacquer as screen. A brief extension of this ancient traditional form of technology in the modern and future design scope of heritage culture and inspiration design value.
【學位授予單位】：南京藝術學院
【學位級別】：碩士
【學位授予年份】：2010
【分類號】：J527

【參考文獻】

相關期刊論文 前1條

1 王琥;創(chuàng)新的魅力——淺析南宋時代漆工藝幾項技術進步的意義[J];東南文化;2002年06期

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本文編號：2027172