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從女性主義視角看《米德?tīng)栺R契》中女主人公的婚姻悲劇

發(fā)布時(shí)間:2019-05-17 04:04
【摘要】:喬治·艾略特是19世紀(jì)著名的女作家,她一生創(chuàng)作了很多的作品,,其中《米德?tīng)栺R契》被認(rèn)為是其創(chuàng)作的高峰。作為一名女性作家,其作品中的女主人公備受女權(quán)文學(xué)批評(píng)者的關(guān)注。盡管女權(quán)文學(xué)批評(píng)者們?cè)谫澷p艾略特的創(chuàng)作才華時(shí),并未就艾略特的女性文學(xué)觀點(diǎn)達(dá)成一致。激進(jìn)的女權(quán)文學(xué)批評(píng)者認(rèn)為艾略特作品中的女主人公結(jié)局較為悲觀,不像艾略特本人在現(xiàn)實(shí)生活中所展示的那樣積極勇敢。然而某些女性文學(xué)批評(píng)者認(rèn)為艾略特有著獨(dú)特的女性意識(shí)。本研究認(rèn)為艾略特獨(dú)特的女性意識(shí)體現(xiàn)在艾略特如實(shí)地刻畫(huà)了女性形象,反映出女性的婚姻悲劇和在男權(quán)社會(huì)中的邊緣地位。本研究以艾略特獨(dú)特的女性意識(shí)為參照,分析《米德?tīng)栺R契》中女主人公多蘿西婭的兩次婚姻以及羅莎蒙德的婚姻悲劇。本研究主體部分共共分為三章: 第一章分析女主人多蘿西婭第一次失敗的婚姻,分析女主人公德蕾莎夢(mèng)幻的破滅。主要從女主人公圣·德蕾莎的夢(mèng)想及其破滅,多蘿西婭所處的經(jīng)濟(jì)地位、接受教育的權(quán)利、男主人公卡蘇朋的控制、女主人公自身的不足以及男女主人公的婚姻觀念等方面分析《米德?tīng)栺R契》中的婚姻悲劇。 第二章分析羅莎蒙德的婚姻悲劇。羅莎蒙德是一個(gè)反面人物,被艾略特賦予了諷刺的意義。本章女主人公的社會(huì)價(jià)值觀以及利德蓋特傳統(tǒng)的婚姻觀分析問(wèn)題,揭示了男權(quán)社會(huì)錯(cuò)誤思想體系。 第三章從回歸女性傳統(tǒng)角色的角度分析了多蘿西婭的第二次婚姻。盡管有人認(rèn)為這次婚姻是建立在真愛(ài)的基礎(chǔ)之上的,但它仍然不是成功的婚姻。因?yàn)檫@次婚姻讓多蘿西婭放棄了自己的理想和財(cái)產(chǎn),成為了一名賢妻良母,承擔(dān)起照顧丈夫和孩子的責(zé)任,成為了“家中的天使”。
[Abstract]:George Eliot is a famous female writer in the 19th century. She has created many works in her life, among which Middlesbach is regarded as the peak of her creation. As a female writer, the heroine in her works has attracted the attention of critics of feminist literature. Although critics of feminist literature praised Eliot's creative talent, they did not agree on Eliot's view of female literature. Radical critics of feminist literature argue that the heroine in Eliot's works has a pessimistic ending and is not as positive and brave as Eliot himself has shown in real life. However, some critics of female literature think Elliot has a unique female consciousness. This study holds that Eliot's unique female consciousness is embodied in Eliot's truthful portrayal of female images, reflecting the marriage tragedy of women and their marginal position in patriarchal society. Based on Eliot's unique female consciousness, this study analyzes the two marriages of Dorosia, the heroine in Middell March, and the marriage tragedy of Rosamond. The main part of this study is divided into three chapters: the first chapter analyzes the first failed marriage of the hostess Dorothy, and analyzes the disillusionment of the heroine Teresa's dream. Mainly from the heroine St. Teresa's dream and its disillusionment, Dorothy's economic status, the right to education, the control of the hero Casubon, The shortcomings of the heroine and the marriage concept of the hero and heroine analyze the marriage tragedy in Middlesbach. The second chapter analyzes Rosamond's marriage tragedy. Rosamond was a villain and was given sarcasm by Elliot. In this chapter, the heroine's social values and Lidgate's traditional view of marriage are analyzed, which reveals the wrong thought system of patriarchal society. The third chapter analyzes Dorothy's second marriage from the point of view of returning to the traditional role of women. Although some people think that the marriage is based on true love, it is still not a successful marriage. Because of the marriage, Dorothy gave up her ideals and property, became a good wife and mother, assumed the responsibility of taking care of her husband and children, and became an angel of the family.
【學(xué)位授予單位】:河北師范大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2012
【分類號(hào)】:I561.074

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