【摘要】：谷崎潤(rùn)一郎是日本近代文學(xué)史上有名的唯美派作家，是日本近代文學(xué)史上的坐標(biāo)性人物。他前期受西方唯美主義影響，曾狂熱崇拜過西方，并將西方唯美主義者“唯美”和“頹廢”的風(fēng)格巧妙地移植到日本本土文學(xué)上，創(chuàng)作出極具特色的谷崎文學(xué)。但是在移居關(guān)西之后，他接觸到日本傳統(tǒng)文化，發(fā)現(xiàn)日本傳統(tǒng)古典美，漸漸褪去官能享樂的色彩，在西方文明和日本本土文化的撞擊和矛盾中思考和探尋著出口，在兩種矛盾得以調(diào)和后，谷崎完成了巨著《細(xì)雪》。 《細(xì)雪》作為谷崎潤(rùn)一郎文學(xué)的最高杰作，充分表達(dá)了他的文學(xué)思想以及文學(xué)理念。全文以獨(dú)特的視角構(gòu)建了一個(gè)日本古典美與哀的世界。本文立足于文本，從國(guó)內(nèi)外對(duì)《細(xì)雪》的先行研究入手，概括、總結(jié)其特點(diǎn)，并分析其不足。在本文的第一章，梳理了谷崎的生平和創(chuàng)作風(fēng)格；在此基礎(chǔ)上，，第二章主要從傳統(tǒng)美和女性美兩個(gè)方面細(xì)致地分析了《細(xì)雪》之美。第三章是本文的升華部分，通過第一章、第二章的鋪墊，探討了谷崎美學(xué)理念的雛形、發(fā)展、變化到形成的過程。
[Abstract]:Ichiro Tanizaki is a famous aesthetician writer in the history of modern Japanese literature and a coordinate figure in the history of modern Japanese literature. Under the influence of western aestheticism in the early stage, he once worshipped the West feverishly, and skillfully transferred the styles of "aestheticism" and "decadence" of western aestheticians to Japanese native literature, and created the very characteristic Kawasaki literature. However, after moving to Kansai, he came into contact with the traditional Japanese culture, found that the traditional classical beauty of Japan, gradually faded the color of official pleasure, and pondered and explored exports in the impact and contradiction between western civilization and Japanese local culture. After the two contradictions were reconciled, Tanizaki completed his masterpiece Snow. As the highest masterpiece of Tanizaki Runichiro's literature, Xiaoxue fully expresses his literary thought and literary idea. The full text constructs a world of Japanese classical beauty and sorrow from a unique perspective. Based on the text, this paper starts with the advance research of "Snow" at home and abroad, summarizes its characteristics, and analyzes its shortcomings. In the first chapter of this paper, the author combs the life and creative style of Tanizaki. On this basis, the second chapter analyzes the beauty of "Snow" in detail from two aspects: traditional beauty and female beauty. The third chapter is the sublimation part of this paper, through the first chapter, the second chapter foreshadowed, discussed the embryonic form, development, change to the formation process of Gusaki's aesthetic concept.
【學(xué)位授予單位】：黑龍江大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：I313.074

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本文編號(hào)：2487879