本文選題：民族鋼琴音樂 + 節(jié)奏型　； 參考：《中國音樂學(xué)院》2017年碩士論文

【摘要】：本文通過對畢業(yè)音樂會部分作品的研究,從民族鋼琴音樂的節(jié)奏、旋律、演奏方式的角度出發(fā),總結(jié)了民族鋼琴獨奏作品和伴奏作品的藝術(shù)特色。其中,節(jié)奏主要是從“如何將民族音樂樸素、自由的速度與鋼琴音樂相結(jié)合”和“如何將各民族鮮明的節(jié)奏特色與鋼琴音樂相結(jié)合”兩個方面來講。旋律主要從“如何對簡短的民歌旋律進(jìn)行巧妙地變奏推動音樂發(fā)展”、“如何將西方復(fù)調(diào)作曲技法與民族音樂的結(jié)合”和“裝飾音的大量運用”的三個方面來講。演奏方式主要從彈奏角度和踏板角度兩個方面來分析。
[Abstract]:Through the study of some works of graduation concert, this paper summarizes the artistic characteristics of national piano solo works and accompaniment works from the point of view of rhythm, melody and performance mode of national piano music. Among them, rhythm is mainly from two aspects: how to keep folk music simple, how to combine free speed with piano music, and how to combine the distinctive rhythmic characteristics of all nationalities with piano music. The melody is mainly from three aspects: "how to change the short folk melody skillfully to promote the development of music", "how to combine western polyphonic composition techniques with folk music" and "the great use of decorative sound". Playing way mainly from playing angle and pedal angle to analyze two aspects.
【學(xué)位授予單位】：中國音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J624.1

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 施詠;;京劇風(fēng)格鋼琴曲創(chuàng)作研究[J];中央音樂學(xué)院學(xué)報;2011年02期

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本文編號：2083215