本文選題：花鳥(niǎo)畫(huà)構(gòu)圖 + 留白��； 參考：《江西師范大學(xué)》2017年碩士論文

【摘要】：齊白石是二十世紀(jì)成就顯著的國(guó)畫(huà)家,在繪畫(huà)理論與實(shí)踐上均達(dá)到了藝術(shù)巔峰,成為一代大師,影響了之后的眾多畫(huà)家。齊白石的作品尤以花鳥(niǎo)畫(huà)居多,其作品不僅對(duì)20世紀(jì)花鳥(niǎo)畫(huà)有著承上啟下的作用,而且可以說(shuō),其作品對(duì)20世紀(jì)花鳥(niǎo)畫(huà)從傳統(tǒng)到現(xiàn)代轉(zhuǎn)型有著重要影響。在齊白石的作品中,把對(duì)自然萬(wàn)物的觀照的生活趣味與言簡(jiǎn)意趣的構(gòu)圖特點(diǎn)相結(jié)合,使繪畫(huà)題材趨于生活化、平民化與田園化,拉開(kāi)了與傳統(tǒng)的距離,拓展了傳統(tǒng)花鳥(niǎo)畫(huà)表現(xiàn)題材,突破了傳統(tǒng)花鳥(niǎo)畫(huà)構(gòu)圖程式,讓欣賞者有煥然一新的感覺(jué)。本文結(jié)合齊白石花鳥(niǎo)畫(huà)作品,對(duì)其作品中構(gòu)圖特點(diǎn)進(jìn)行梳理與分析。文中首先對(duì)齊白石構(gòu)圖中的留白、形式美、意境美等進(jìn)行分析,辨析其特征,并與其他畫(huà)家進(jìn)行橫向與縱向?qū)Ρ?從而得出齊白石花鳥(niǎo)畫(huà)獨(dú)有的藝術(shù)風(fēng)格。其次,把齊白石自身性格特征,實(shí)踐創(chuàng)作等主觀因素與時(shí)代背景,師承等客觀因素相結(jié)合,來(lái)闡述齊白石花鳥(niǎo)畫(huà)風(fēng)格形成的深層次原因。最后,探討齊白石構(gòu)圖特點(diǎn)在當(dāng)代的指導(dǎo)意義。
[Abstract]:Qi Baishi is a national painter with remarkable achievements in the 20th century. He has reached the peak of art in painting theory and practice. He has become a great master and influenced many painters since then. Qi Baishi's works, especially the flower-and-bird paintings, not only serve as a link between the past and the following, but also have an important impact on the transition from the traditional to the modern. In Qi Baishi's works, the combination of the life interest of the natural things and the composition characteristics of the simple words makes the subject matter of painting tend to be life, populace and pastoral, and draw a distance from the tradition. Expanded the traditional flower and bird painting performance theme, broke through the traditional flower and bird painting composition program, let the viewer have a new feeling. This paper combs and analyzes the composition characteristics of Qi Baishi's flower-and-bird paintings. In this paper, first of all, the white space, form beauty, artistic conception beauty in the composition of Qi Baishi are analyzed, and their characteristics are analyzed and compared horizontally and vertically with other painters, so that the unique artistic style of Qi Baishi flower-and-bird painting is obtained. Secondly, the author combines the subjective factors such as Qi Baishi's own character, practice creation and so on with the background of the times and the objective factors such as teaching, to expound the deep-seated reasons for the formation of the style of Qi Baishi's flower-and-bird painting. Finally, the paper discusses the guiding significance of Qi Baishi composition characteristics in the contemporary era.
【學(xué)位授予單位】：江西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：J212

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