羅伯特·布朗寧被譽為現(xiàn)代主義文學的先驅，為二十世紀的詩歌發(fā)展開拓出一條大路。他的主要成就是對戲劇性獨自的發(fā)展所做出的貢獻。文章第一部分簡要介紹了布朗寧的生平及作品。第二部分介紹戲劇性獨白的理論。第三部分列出了布朗寧戲劇性獨白的特征，包括第一人稱獨白者的出現(xiàn)，詩人幕后的操縱和戲劇性獨白雙聲語的結構。第四部分是對布朗寧揭示獨白者心理的探討。第五部分揭示了布朗寧戲劇性獨白闡釋的不確定性。第六章結論部分指出布朗寧的戲劇性獨白改變了二十世紀詩歌的走向。

【文章頁數(shù)】：59 頁

【學位級別】：碩士

【文章目錄】：
Acknowledgements
摘要
Abstract
前言
Chapter 1：A Brief Survey of Browning and His Poetry
    1.A Brief Introduction to Browning
    2.Comments on Browning's Poetry
Chapter 2：Theories on the Dramatic Monologue
    1.Definition
    2.Features
    3.Develoment
Chapter 3：Characteristics of Browning's Dramatic Monologue
    1.The Presence of a speaker in Most of Browning's Poems
    2.The Poet's Shaping Hand behind the Dramatic Monologue
    3.Double Voices Involved in the Dramatic Monologue
        A.Stylization
        B.Parody
Chapter 4：Using Dramatic Monologue for Psychological Revelation
    1.Examination of the Two Types of Mental State
        A.The Abnormal Mental State
        B.The Normal Mental State
    2.Browning's Methods of Revealing the Speaker's Psychology
        A.Setting
        B.Imagery
        C.Repetition
        D.Key Words
Chapter 5：Indeterminacy of Interpretation of Browning's Dramatic Monologue
    1.Different Readings of the Dramatic Monologue
    2.Ambiguous Ironic Implication
    3.Two Basic Factors Deciding the Indeterminacy
        A.The New Speaker-Poet-Reader Relationship
        B.Browning's Relativism
Chapter 6：Conclusion
Works Cited
Bibliography



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