從目的論角度比較研究戲劇《推銷員之死》的兩個(gè)中譯本
發(fā)布時(shí)間：2025-03-19 23:37
戲劇是一種具有二元性的獨(dú)特藝術(shù)形式,它既可以在舞臺(tái)上為觀眾帶來(lái)鮮活的視聽(tīng)享受,也可以像小說(shuō)和詩(shī)歌一樣作為文學(xué)作品供讀者欣賞。然而,長(zhǎng)期以來(lái),戲劇翻譯并未得到學(xué)術(shù)界的足夠重視。國(guó)內(nèi)外關(guān)于戲劇翻譯研究的專著和論文也極為有限。戲劇的二元性使譯者面臨一個(gè)兩難的困境:究竟是要突出戲劇的可讀性,還是要保證其可表演性?此外,如何評(píng)價(jià)戲劇疑問(wèn)也是一個(gè)棘手的問(wèn)題。 國(guó)內(nèi)外對(duì)戲劇翻譯的研究起止于三十年前,“可表演性”與“可讀性”之爭(zhēng)一直貫穿其中,較著名且有代表性的當(dāng)屬英國(guó)理論家蘇珊·巴斯奈特的理論。巴斯奈特在20世紀(jì)八十年代中期否定了與自己七十年代所提的“可表演性”觀點(diǎn),認(rèn)為實(shí)現(xiàn)“可讀性”應(yīng)該是戲劇翻譯者的第一要?jiǎng)?wù)。為了說(shuō)明及協(xié)調(diào)這兩個(gè)看似矛盾的觀點(diǎn),本文擬從功能角度出發(fā)考察這一矛盾,以目的論作為研究的理論基礎(chǔ),詳盡對(duì)比分析《推銷員之死》兩個(gè)中文版本,其中一個(gè)版本由英若誠(chéng)先生翻譯,另一個(gè)版本由陳良廷先生翻譯。 由德國(guó)功能派翻譯理論發(fā)展而來(lái)的目的論指出,翻譯是有明確目的的跨文化交際活動(dòng),翻譯目的是決定翻譯行為的首要因素,翻譯的過(guò)程受到各種因素的綜合制約。目的論為解決戲劇翻譯困境提供了嶄新的視角,并...
【文章頁(yè)數(shù)】：69 頁(yè)
【學(xué)位級(jí)別】：碩士
【文章目錄】：
ACKNOWLEDGEMENTS
ABSTRACT
摘要
Chapter 1 Introduction
1.1 Background of the Study
1.2 Objective of the Study
1.3 Methodology of the Study
1.4 Structure of the Thesis
Chapter 2 Literature Review
2.1 Definition of Drama and Characteristics of Drama Text Language
2.2 Review in the Field of Drama Translation Studies
2.2.1 Drama Translation Studies at Home
2.2.2 Drama Translation Studies Abroad
2.3 Contradiction in Drama Translation
2.4 Summary
Chapter 3 Theoretical Framework
3.1 The Origin and Development of Skopos Theory
3.2 Basic Ideas of Skopos Theory
3.3 The Validity of Skopos Theory in Drama Translation
3.4 Hypothesis
3.5 Summary
Chapter 4 Comparative Analysis on the Two Chinese Versions of Death of a Salesman in Light of Skopos Theory
4.1 The Source Text and Translation Briefs for the Two Translators of Death of a Salesman
4.1.1 Introduction to Death of a Salesman
4.1.2 Translation Briefs for the Two Translators of Death of a Salesman
4.2 A Comparative Analysis from Perspective of Linguistic Features
4.2.1 The Translation of Stage Directions
4.2.2 The Translation of Colloquialism
4.2.3 The Translation of Actability
4.2.4 The Translation of Rhetorical Devices
4.3 A Comparative Analysis from a Cultural Perspective
4.3.1 The Translation of Culture-loaded Words
4.3.2 The Translation of Idioms
4.4 Summary
Chapter 5 Conclusion
5.1 Major Findings of the Study
5.2 Limitations of the Study
5.3 Suggestions for Further Study
Bibliography
Recently-published Papers
本文編號(hào)：4037031
【文章頁(yè)數(shù)】：69 頁(yè)
【學(xué)位級(jí)別】：碩士
【文章目錄】：
ACKNOWLEDGEMENTS
ABSTRACT
摘要
Chapter 1 Introduction
1.1 Background of the Study
1.2 Objective of the Study
1.3 Methodology of the Study
1.4 Structure of the Thesis
Chapter 2 Literature Review
2.1 Definition of Drama and Characteristics of Drama Text Language
2.2 Review in the Field of Drama Translation Studies
2.2.1 Drama Translation Studies at Home
2.2.2 Drama Translation Studies Abroad
2.3 Contradiction in Drama Translation
2.4 Summary
Chapter 3 Theoretical Framework
3.1 The Origin and Development of Skopos Theory
3.2 Basic Ideas of Skopos Theory
3.3 The Validity of Skopos Theory in Drama Translation
3.4 Hypothesis
3.5 Summary
Chapter 4 Comparative Analysis on the Two Chinese Versions of Death of a Salesman in Light of Skopos Theory
4.1 The Source Text and Translation Briefs for the Two Translators of Death of a Salesman
4.1.1 Introduction to Death of a Salesman
4.1.2 Translation Briefs for the Two Translators of Death of a Salesman
4.2 A Comparative Analysis from Perspective of Linguistic Features
4.2.1 The Translation of Stage Directions
4.2.2 The Translation of Colloquialism
4.2.3 The Translation of Actability
4.2.4 The Translation of Rhetorical Devices
4.3 A Comparative Analysis from a Cultural Perspective
4.3.1 The Translation of Culture-loaded Words
4.3.2 The Translation of Idioms
4.4 Summary
Chapter 5 Conclusion
5.1 Major Findings of the Study
5.2 Limitations of the Study
5.3 Suggestions for Further Study
Bibliography
Recently-published Papers
本文編號(hào)：4037031
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