本文選題：現(xiàn)場寫生 + 油畫創(chuàng)作�。� 參考：《西南交通大學(xué)》2014年碩士論文

【摘要】：寫生作為傳統(tǒng)油畫創(chuàng)作方式一直貫穿于整個(gè)西方傳統(tǒng)繪畫發(fā)展中并為藝術(shù)家進(jìn)行藝術(shù)創(chuàng)作所運(yùn)用,印象主義更是把這一寫生油畫創(chuàng)作方式帶到了繪畫歷史的多產(chǎn)期和高峰階段,乃至當(dāng)今仍然為之所用。隨著繪畫藝術(shù)歷史的推進(jìn)與發(fā)展,當(dāng)今油畫創(chuàng)作早已不在是單一的現(xiàn)場寫生這種傳統(tǒng)油畫創(chuàng)作方式的模式,而是以多種油畫創(chuàng)作方式并存的多元化(多樣化)藝術(shù)時(shí)代。自照相術(shù)誕生以后,圖像與圖片的介入對(duì)傳統(tǒng)的現(xiàn)場寫生油畫創(chuàng)作模式有決定性的影響,選擇借用照片、圖像還是堅(jiān)持傳統(tǒng)的現(xiàn)場寫生方式進(jìn)行自己的油畫藝術(shù)創(chuàng)作與表達(dá)成了當(dāng)代油畫藝術(shù)家重要的熱題。不難發(fā)現(xiàn)當(dāng)今仍有一些堅(jiān)持傳統(tǒng)的現(xiàn)場寫生方式進(jìn)行油畫藝術(shù)創(chuàng)作的案例并獲得很大反響。本文通過具體講述著有“外光畫派”名稱的印象主義畫派、英國當(dāng)代人體油畫家盧西安·弗洛伊德和中國當(dāng)代著名藝術(shù)家劉小東等具象風(fēng)格作品,都是通過現(xiàn)場寫生油畫創(chuàng)作方式來進(jìn)行油畫藝術(shù)創(chuàng)作的典范、案例,具體了解他們選擇現(xiàn)場寫生油畫創(chuàng)作方式進(jìn)行油畫藝術(shù)創(chuàng)作的歷史背景和原因,并從中發(fā)現(xiàn)這種傳統(tǒng)的創(chuàng)作方式的潛在力量和對(duì)油畫藝術(shù)創(chuàng)作的有利因素。通過分析得出這三者所處的繪畫藝術(shù)歷史階段的不同環(huán)境及社會(huì)背景決定了他們現(xiàn)場寫生進(jìn)行油畫創(chuàng)作的內(nèi)在差異,這種差異不同直接反應(yīng)在油畫藝術(shù)作品的本身——即繪畫語言、形式及觀念表達(dá)上等。藝術(shù)家如何使得現(xiàn)場寫生直接轉(zhuǎn)化為創(chuàng)作,直接利用現(xiàn)場寫生進(jìn)行自己的油畫創(chuàng)作就變得更具有探討的意義和價(jià)值了,如何讓油畫創(chuàng)作本身與現(xiàn)場寫生這種方式相關(guān)聯(lián),使作品具有自己的文化、生活、勞動(dòng)及各種與自己血脈相關(guān)的氣息,在寫生現(xiàn)場挖掘出適合自己的繪畫語言變得尤為重要。最后結(jié)合自己的寫生油畫創(chuàng)作作品,闡述選擇現(xiàn)場寫生進(jìn)行自己油畫創(chuàng)作的原因及感受,最后得出在面對(duì)形式花樣、手法百出的當(dāng)代油畫藝術(shù)環(huán)境中,放慢腳步,端正心態(tài),秉著一顆對(duì)繪畫藝術(shù)虔誠熱愛的心,選擇傳統(tǒng)的寫生油畫創(chuàng)作手段去感受生活,尋求繪畫藝術(shù)最為本真的一面。
[Abstract]:As a traditional way of oil painting creation, sketching has been running through the development of western traditional painting and has been used by artists in artistic creation. Impressionism has brought this method of painting to the period of multiple births and peak periods in the history of painting. It is still used today. With the advancement and development of the history of painting art, oil painting creation is no longer a single mode of traditional oil painting creation, but a pluralistic (diversified) art era in which a variety of oil painting creation methods coexist. Since the birth of photography, the involvement of images and pictures has a decisive impact on the traditional mode of oil painting on the spot, choosing to borrow photos. It is an important hot topic for contemporary oil painting artists to create and express their own oil painting art by sticking to the traditional way of painting on the spot. It is not difficult to find that there are still some cases of oil painting art creation which adhere to the traditional way of live sketching and get a great response. This paper describes concretely the figurative style works of Impressionist painting School with the name of "Outlight painting School", the contemporary British oil painter Lucian Freud and the famous contemporary Chinese artist Liu Xiaodong, etc. They are both examples and cases of oil painting art creation by means of live sketching oil paintings, and understand the historical background and reasons why they chose the on-site oil painting creation method to carry out oil painting art creation. And find out the potential power of this traditional way of creation and the favorable factors for oil painting creation. Through the analysis, it is concluded that the different environments and social background of the three painting art historical stages determine the inherent difference of their oil painting creation on the spot. This difference is directly reflected in the oil painting itself-painting language, form and concept expression. How the artist can directly transform the scene sketch into creation, and make use of the scene sketch to create his own oil painting becomes more meaningful and valuable. How to make the oil painting itself associated with the scene sketch is more meaningful and valuable. In order to make the works have their own culture, life, labor and all kinds of breath related to their own blood, it is particularly important to dig out the appropriate painting language on the scene of painting. Finally, combined with his painting works, the reasons and feelings of choosing live sketches to create his own oil paintings are expounded. Finally, in the contemporary oil painting art environment with various forms and techniques, the pace is slowed down and the attitude is correct. With a pious love of painting art, choose the traditional means of painting oil painting to feel life, seeking the most authentic side of painting art.
【學(xué)位授予單位】：西南交通大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J213

【共引文獻(xiàn)】

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5 劉s，

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