【摘要】：油畫創(chuàng)作中,主觀色彩無疑是具有強(qiáng)烈沖擊性的繪畫語言。它強(qiáng)化了畫家在作品中情感和內(nèi)心的表達(dá),使油畫具有豐富表現(xiàn)力的同時(shí),更賦予作品強(qiáng)大的感情力量。我們以往在描繪客觀事物時(shí),通常會(huì)用個(gè)人經(jīng)驗(yàn)理性的確定色相、明暗等,這種客觀再現(xiàn)的作品可以帶給人們感官上的沖擊,卻難以帶給觀者心靈上的觸動(dòng)。主觀色彩的使用加強(qiáng)了作品的內(nèi)涵,對(duì)豐富語言表達(dá)起著關(guān)鍵作用。由此才能更好地強(qiáng)化精神層面的表達(dá),使作品具有個(gè)性以及獨(dú)特魅力。油畫色彩的主觀性發(fā)端于印象派。在印象派畫家的啟迪中,繪畫語言越加自我,人們都在追求個(gè)性的表達(dá)。在繪畫觀念更加開放的現(xiàn)代,藝術(shù)家個(gè)體情感在繪畫中占據(jù)越來越大的比重,甚至成為個(gè)人名片。我們都期待自己的作品被受眾認(rèn)可,希望受眾能夠讀懂自己的作品,而最直接的方式就是通過作品中色彩的表現(xiàn)來拉近作者與觀者間的距離。本篇文章在研究與探索油畫創(chuàng)作中主觀性色彩應(yīng)用的同時(shí),結(jié)合本人的畢業(yè)創(chuàng)作—《蓮》系列油畫創(chuàng)作的回顧與梳理,談了幾點(diǎn)個(gè)人對(duì)主觀色彩應(yīng)用的理解,既總結(jié)了這次畢業(yè)創(chuàng)作的經(jīng)驗(yàn),也為以后更好的藝術(shù)實(shí)踐打下堅(jiān)實(shí)基礎(chǔ)。
[Abstract]:In oil painting, subjective color is undoubtedly a strong impact of painting language. It strengthens the expression of the painter's emotion and heart in his works, makes the oil painting have rich expressive power, and gives the work a powerful emotional power. In the past, when we describe objective things, we usually use personal experience to determine the color, light and shade, etc. This kind of objectively reproduced works can bring people the impact on the senses, but it is difficult to give the viewer the touch of the soul. The use of subjective color strengthens the connotation of the work and plays a key role in enriching language expression. In this way, the expression of spiritual level can be strengthened better and the work has its own personality and unique charm. The subjectivity of oil painting color originates from impressionism. In the inspiration of Impressionist painters, painting language is more self-enhancing, people are pursuing the expression of personality. In the modern painting concept more open, the artist's individual emotion occupies more and more proportion in the painting, and even becomes the personal business card. We all expect our works to be accepted by the audience, and we hope that the audience can understand their works, and the most direct way is to narrow the distance between the author and the viewer through the expression of color in the works. While researching and exploring the application of subjective color in oil painting creation, this article, combined with the retrospect and combing of my graduation creation-"Lian" series oil painting creation, discusses several personal understandings on the application of subjective color. Not only summarized the experience of this graduation creation, but also laid a solid foundation for better art practice in the future.
【學(xué)位授予單位】：福建師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J213

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 梁健;;1954年后賈科梅蒂繪畫作品風(fēng)格的演變分析[J];美術(shù)教育研究;2010年07期

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