本文結(jié)合系統(tǒng)功能語(yǔ)法理論和概念隱喻理論,對(duì)日本漫畫(huà)中譯版中憤怒的圖文表征進(jìn)行系統(tǒng)研究。在圖像表征方面,本文首先對(duì)現(xiàn)實(shí)世界情緒行為的圖像表征和規(guī)約性符號(hào)加以區(qū)分。對(duì)于前者,本文借用非言語(yǔ)行為符號(hào)模型進(jìn)行了定量分析,對(duì)于后者,本文定性分析了圖像符文、象形圖和氣泡框特征表征憤怒的認(rèn)知理?yè)?jù)�；谏鲜龇治�,本文確定了不同類(lèi)型表征的符號(hào)學(xué)地位。在文字表征方面,本文對(duì)氣泡框內(nèi)部和外部的文本加以區(qū)分,并得出其顯著特征。本研究主要發(fā)現(xiàn)日本漫畫(huà)中憤怒的圖像表征主要分為對(duì)現(xiàn)實(shí)世界情緒行為的圖像表征和規(guī)約性符號(hào)。對(duì)現(xiàn)實(shí)世界情緒行為的圖像表征主要包括面部表情、肢體接觸和身體方向�；诒疚倪x取的數(shù)據(jù),在面部表情方面,用于表示憤怒的符號(hào)資源包括“額頭:垂直皺紋;眉毛:下降的內(nèi)角;眼睛:大開(kāi)或收窄/閉合;嘴:大開(kāi)或緊閉”。代表憤怒的典型肢體接觸是拳打,可以用“[拳頭]+[臉部]+[單向行為]+[矢量:朝向受力方]+[力量:高]”來(lái)表征。身體方向通常是向前的,表明憤怒是一種主動(dòng)的情感。漫畫(huà)中用于表征憤怒的規(guī)約性符號(hào)包括圖像符文,象形圖和氣泡框特征。其中,圖像符文包括放射狀直線,閃電狀線條,表示顫抖的虛線,水珠,以及突出的...

【文章頁(yè)數(shù)】：63 頁(yè)

【學(xué)位級(jí)別】：碩士

【文章目錄】：
摘要
Abstract
Chapter One Introduction
    1.1 Research Background
    1.2 Research Objectives
    1.3 Research Significance
    1.4 The Organization of the Thesis
Chapter Two Literature Review
    2.1 Comics
        2.1.1 Definition and History
        2.1.2 Studies on Comics
    2.2 Studies on Emotion from Cognitive Linguistic Perspective
        2.2.1 Conceptual Metaphor and Conceptual Metonymy
        2.2.2 Studies on Emotion Language from Cognitive Linguistic Perspective
        2.2.3 Studies on Visual Representations of Emotion from Cognitive LinguisticPerspective
    2.3 Studies on Emotion from Systemic Functional Perspective
        2.3.1 Studies on Emotion Language from Systemic Functional Perspective
        2.3.2 Studies on Visual Representations of Emotion from Social Semiotic Perspective
    2.4 Summary
Chapter Three Theoretical Framework and Methodology
    3.1 Social Semiotic Models for Emotive Behavior
        3.1.1 Facial Expression
        3.1.2 Touch
        3.1.3 Body Orientation
        3.1.4 Summary
    3.2 Conceptualization of Anger
        3.2.1 Anger Metaphor
            3.2.1.1 Physiological Effects
            3.2.1.2 Negative Evaluation of Angry Behaviors
            3.2.1.3 Cause, Person,Existence
        3.2.2 Anger Metonymy
        3.2.3 Summary
    3.3 Methodology
        3.3.1 Selection of Data
        3.3.2 Data Processing
            3.3.2.1     Quantitative Analysis
            3.3.2.2 Qualitative Analysis
Chapter Four Visual-Verbal Representations of Anger in Japanese Comics
    4.1 Visual Representations of Emotive Behaviors
        4.1.1 Facial Expression
        4.1.2 Touch and Body Orientation
        4.1.3 Summary
    4.2 Conventionalized Signs
        4.2.1 Pictorial Runes
            4.2.1.1 Radial Straight Lines
            4.2.1.2 Lightening-Shape Line
            4.2.1.3 Shaking
            4.2.1.4 Droplet
            4.2.1.5 Vein
        4.2.2 Pictogram
            4.2.2.1 Steam
            4.2.2.2 Fire
        4.2.3 Balloon Features
            4.2.3.1 Big-Jagged Asymmetrical Balloon
            4.2.3.2 Bold Face and Larger Fonts
        4.2.4 Summary
    4.3 Semiotic Status of Visual Signs of Anger
        4.3.1 Charles Peirce's Semiotic Theory
        4.3.2 Semiotic Status of Visual Signs of Anger
    4.4 Verbal Representations of Anger
Chapter Five Conclusion
    5.1 Major Findings of the Study
    5.2 Limitations of the Study
    5.3     Implications and Suggestions
References
Acknowledgements



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