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論觸控時代插圖的交互動態(tài)化

發(fā)布時間:2018-05-30 14:18

  本文選題:數(shù)碼插圖 + 交互動態(tài)化; 參考:《浙江工業(yè)大學》2014年碩士論文


【摘要】:插圖作為一種古老且重要的信息傳播方式,憑借其自身信息含載 量大和傳遞信息形象直觀的優(yōu)勢,即便在今天也備受各類傳播媒介的 青睞。尤其是插圖經(jīng)歷了數(shù)字化轉(zhuǎn)向后開始爆發(fā)出驚人的活力。在信息社會體驗經(jīng)濟的大環(huán)境下,以用戶為中心的理念受到大眾 追捧,互動參與和體驗創(chuàng)新成為插圖新的價值標準,同時新一輪的技 術浪潮將整個世界拉入觸控時代,觸控技術帶來人機交互方式的革命。 插圖在與這種自然直接的人機交互方式相結合后,呈現(xiàn)出交互動態(tài)化 的視覺形態(tài),一舉改變了讀者與傳統(tǒng)靜態(tài)插圖之間單一、被動的線性 信息傳達模式,使插圖的交叉學科特征愈加明顯,具備了新穎有趣、 互動創(chuàng)新的特點,迅速融入諸如電子雜志、圖形用戶界面、兒童繪本、 動畫影視等視覺領域。本文首先基于插圖的發(fā)展歷程,追溯了插圖的動態(tài)化基因,通過 分析觸控時代的語境,對插圖的交互動態(tài)化進行了定義。其信息傳遞 過程就是引導讀者主動與插圖發(fā)生互動,以非線性、多維度的方式參 與到插圖內(nèi)在信息交流中,從而完成信息的動態(tài)傳達。隨后分析了插圖交互動態(tài)化的必要性和優(yōu)勢,根據(jù)交互動態(tài)化的 設計目標的不同,將插圖的交互動態(tài)化分為兩類,分別是插圖內(nèi)容元 素的交互動態(tài)化和插圖展示形式的交互動態(tài)化。最后延展到信息傳達和敘事能力的剖析,對插圖的交互動態(tài)化進 行深入解析和價值認定,探索插圖在觸控時代交互動態(tài)化趨勢下如何 重構自身,這也是本文研究意義之所在。
[Abstract]:Illustration as an ancient and important way of information dissemination, with its own information load The advantage of large quantity and visual image of transmitting information, even today, it is also received by all kinds of media Favor. In particular, illustrations after the digital turn began to burst out of astonishing vitality. In the environment of the experience economy in the information society, the idea of taking the user as the center is popular. In pursuit, interactive participation and experience innovation become the new value standard of illustrations, and at the same time, a new round of technology The wave of technology has brought the whole world into the era of touch control, and touch technology has brought about the revolution of man-machine interaction. In combination with this natural and direct human-computer interaction, illustrations show dynamic interaction. The visual form changes the single, passive linearity between the reader and the traditional static illustration The information transmission pattern makes the cross-disciplinary features of illustrations more obvious and more interesting. Interactive innovative features that quickly blend into e-magazines, graphical user interfaces, children's picture books, Animation, film and television and other visual fields. In this paper, based on the development of illustrations, we trace the dynamic genes of illustrations. This paper analyzes the context of the touch era and defines the interaction of illustrations. Its information transmission The process is to lead the reader to interact with the illustrations in a non-linear, multi-dimensional manner. Communicate with the illustrations in order to complete the dynamic communication of information. Then, the necessity and advantage of interactive dynamic illustration are analyzed. The interaction of illustrations is divided into two types, one is the content element of illustration, and the other is the content element of illustration. The interaction of prime and illustration is dynamic. Finally, it extends to the analysis of information transmission and narrative ability, and the dynamic interaction of illustrations. Deep analysis and value determination, explore how illustrations in the interactive dynamic trend in the era of touch control Reconstructing itself is also the significance of this study.
【學位授予單位】:浙江工業(yè)大學
【學位級別】:碩士
【學位授予年份】:2014
【分類號】:J218.5

【參考文獻】

相關期刊論文 前5條

1 趙志剛;;信息化社會與會計發(fā)展新趨勢[J];財經(jīng)界(學術版);2009年12期

2 薛生健;;視覺文化時代的視覺困惑[J];東南文化;2007年02期

3 龍迪勇;;圖像敘事:空間的時間化[J];江西社會科學;2007年09期

4 李光輝;;平面廣告圖像敘事分析[J];麗水學院學報;2014年01期

5 王少茜;Dominic Harris;;藝術的交互性[J];設計;2013年07期

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