本文選題：語(yǔ)言 + 民族性��； 參考：《天津美術(shù)學(xué)院》2017年碩士論文

【摘要】：中國(guó)工筆人物畫是中國(guó)傳統(tǒng)繪畫藝術(shù)中的獨(dú)特藝術(shù)形式。隨著近年來(lái)中國(guó)經(jīng)濟(jì)、文化的繁榮和西方文化思潮的涌入,促進(jìn)工筆人物畫向著多元化發(fā)展,在創(chuàng)作理念、繪畫語(yǔ)言、材料技法等諸多方面體現(xiàn)出新的面貌。本文第一部分從當(dāng)代工筆人物畫的獨(dú)特語(yǔ)言形式入手,通過(guò)對(duì)中國(guó)繪畫基本元素,如線條、色彩、構(gòu)圖等方面的解讀,引出第二部分當(dāng)代工筆人物化發(fā)展的現(xiàn)狀的主要表現(xiàn),如表現(xiàn)題材的多元化、風(fēng)格面貌的時(shí)代化和符號(hào)化現(xiàn)象等。第三部分著重解釋造成這一現(xiàn)狀的諸多因素。經(jīng)過(guò)前文的研究論述,最后提出筆者對(duì)當(dāng)代工筆人物畫前景、方向的思考,并得出結(jié)論:當(dāng)代工筆人物化的發(fā)展始終應(yīng)該保持民族性、時(shí)代性和人文關(guān)懷。透過(guò)繼承與吸收尋找當(dāng)代工筆人物畫的正確方向。
[Abstract]:Chinese meticulous figure painting is a unique art form in Chinese traditional painting art. With the prosperity of Chinese economy and culture and the influx of western cultural thoughts in recent years, the fine brushwork figure painting has become more and more diversified, and has shown new features in many aspects, such as creative idea, painting language, material technique and so on. The first part of this paper starts with the unique language form of contemporary meticulous figure painting, through the interpretation of the basic elements of Chinese painting, such as lines, colors, composition and so on, leads to the main performance of the second part of the development of contemporary meticulous figure painting. Such as the diversity of the performance of the subject matter, style of the face of the times and symbolization of the phenomenon. The third part emphatically explains the many factors that cause this present situation. In the end, the author thinks about the prospect and direction of contemporary meticulous figure painting, and draws the conclusion that the development of contemporary meticulous figure painting should always maintain national, contemporary and humanistic concern. Through inheritance and absorption to find the correct direction of contemporary meticulous figure painting.
【學(xué)位授予單位】：天津美術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J212

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相關(guān)期刊論文 前1條

1 何興泉;傳統(tǒng)的超越——由任伯年、徐悲鴻的藝術(shù)論近代中國(guó)人物畫的變革[J];美術(shù)觀察;2003年06期

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本文編號(hào)：1955607